Recorded over a 3 year period, the trio of Portuguese string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello met with New Haven, Connecticut double bassist & synth player Daniel Barbiero, developing this detailed, two part lowercase acoustic improvisation with a spacious, patient feeling that interacts with its ambient environment.

Named for the Leipzig, Poland location in which this live concert was recorded, the acoustic free improvising quartet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Nuno Torres on alto saxophone, and Johannes von Buttlar on percussion, explore extended ranges and approaches to their instrument in these building and detailed dialogs.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

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Working together in a variety of setting and ensembles--Variable Geometry Orchestra, Suspensao, groupings with Hernani Faustino & Jose Oliveira, with Michel Stawicki, and with onsieur Trinite--the core trio of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet and Joao Madeira on double bass, is heard in three studio improvisations of dark woods explorations.

One of the largest ensembles associated with Creative Sources, merging acoustic and electronic improvisers, this conduction by violist Ernesto Rodrigues at Torre Do Tombo in Lisbon in 2023 was the opening for an exhibition about the struggle of college students against the Portuguese dictatorship during the years 1970-74, leading to the Carnation Revolution.

A double opus of improvised String Quartets in four movements each, using impressive technique and exquisite pacing in this live recording captured at the Offene Ohren, in Munich, Germany, 2023 by Dietrich Petzold on violin, tenor violin, clavichord & bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Matthias Bauer on double bass.

Two unique string players--Lisbon's Ernesto Rodrigues on viola and Chicago's Fred Lonberg-Holm on cello--with pianist Andre Hencleeday and percussionist Jose Oliveira, in an exhilarating concert of dynamic free improvisation captured live in 2023 at Lisboa Incomum in Lisbon, presented as two "Statements", an apt description of their confident and declarative interplay.

While theremin & synth specialist Andrew Levine was on a 2023 tour of Portugal he met with a core trio of Creative Sources improvisers--Ernesto Rodrigues on viola & Crackle Box, Bruno Parrinha on bass clarinet & objects, Flak on electric guitar & effects--meeting in Flak's countryside studio for one detailed, extensive improvisation and 6 short works of differing sonic characters and colour.

Recording at Berlin-Wedding's performance space Werkhalle Wiesenburg in the summer of 2023, the free improvising chamber trio of violist Ernesto Rodrigues and cellist Guilherme Rodrigues meet with Portuguese flutist Carlos Bechegas, bringing contemporary classical technique to an extended and energetically tempestuous improvisation and a sprightly "Time Between".

Emulating the Korean river Taedong through it's undulating flows, uproar, flux and treachery in eleven succinct chamber-oriented improvisations from the quartet of South Korean tenor saxophonist Jung-Jae Kim, French-born South Korean-based drummer Quentin Cholet, with the Portuguese father/son duo of Ernesto Rodrigues on viola and Guilherme Rodrigues on cello.

Father and son string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello join with Berlin improvisers Fumio Okura (Ensemble 222) on violin and Hannes Buder on guitar for six collective chamber free improvisations using extraordinary technique and focus, creating parallel and converging conversations that build and recede in vigorous momentum.

Berlin recordings from the lowercase chamber improvising string quartet of New Zealand violinist Sarah Claman, Portuguese violist Ernesto Rodrigues and cellist son based in Berlin, Guilherme Rodrigues, with Swiss sound artist Caroline Cecilia Tallone on electroacoustic hurdy gurdy & amplified objects, exploring three shadow aspects of "Umbra", "Penumbra" and "Antumbra".

Configured as an electroacoustic chamber nonet led by Ernesto Rodrigues on viola & crackle box, with two saxophones, bass clarinet, piano, electric guitar, double bass, electronics & percussion, in two live, highly concentrative and subtly detailed improvisations performed in 2023 at O'Culto da Ajuda, during Ciclo Indeterminação na Música do Séc. XXI.

Referencing the book Letters to Milena (Briefe an Milena) by Franz Kafka of his intense love affair with Czech journalist & writer Milena Jesenská, through four lettered parts of a subtly sophisticated set of improvisations by Ernesto Rodrigues (viola), Nuno Torres (alto sax), Guilherme Rodrigues (cello), Eric Bauer (electronics) and Stephen Flinn (percussion).

A fortuitous 2015 concert from the lowercase chamber/ea-improv octet Suspensão, captured live at Ler Devagar Bookstore in Lisbon from Ernesto Rodrigues (viola & harp), Guilherme Rodrigues (cello), Nuno Torres (alto sax), Eduardo Chagas (trombone), Antonio Chaparreiro (guitar), Rodrigo Pinheiro (piano & melodica), Miguel Mira (bass), Carlos Santos (electronics) and Jose Oliveira (percussion).

Portugal's suspenseful reductionist improvising ensemble, blending acoustic and electronic instruments in delicately detailed motion, heard in this live recording at SMUP in Parede from Ernesto Rodrigues (viola), Nuno Torres (sax), Bruno Parrinha (bass clarinet), Luisa Goncalves (piano), Flak (electric gutiar), Joao Madeira (bass), Carlos Santos (analog synth) and Jose Oliveira (percussion).

Citing references including Sun Ra, electric Miles, Ornette, Wadada Leo Smith, Stockhausen & Gabriel Prokofiev, guitarist Luis Lopes's Abyss Mirrors brings together artists drawing on European & Brazilian performers from Clean Feed, Shhpuma and Creative Sources for these evolving and often ecstatic collective, experimental improvisations; unpredictably edgy and exciting!

A confluence of strings from the trio of Portuguese improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, performing in Berlin with double bassist Stephan Bleier, the title referring to a gradual ascending progression formed through small changes, an apt analogy for the illusory and shape-shifting approach their 5-part improvisations lead.

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways.

The Suspensao octet are heard in this live performance at SMUP, in Parede, Portugal in 2023, blending primarily acoustic instruments with electric guitar and analog synth, using a reductionist approach to highly concentrative and suspenseful free improvisation, their long-running collective history allowing an impressive level of articulation and control through the integration of diverse voices.

Berlin studio recordings from the free improvising quartet of Beat Keller on feedbacker electric guitar, Ernesto Rodrigues on violin, Rieko Okuda on piano and Guilherme Rodrigues on cello; four string players invoking the reptilian Mesozoic age through unusual approaches to their instruments, extending the palette of each while creating unexpected percussive elements.

The quartet of Udo Schindler on reeds, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on saxophone are heard in Munich, first in a wildly interactive live performance at Schindler's Salon successor: BASIS_Soundscape at MUCCA; then live in the studio for 7 improvisations with track titles borrowed from and under the influence of the poetry of Allen Ginsberg.

Excellent pacing with introspective richness and detail through five improvisations, as US pianist Thollem McDonas joins Portuguese improvisers Ernesto Rodrigues on viola, Bruno Parrinha on alto clarinet, Flak on acoustic guitar and Jose Oliveira on percussion for this studio recording in Lisbon, each passage reflecting a word from the title; inspired and beautiful.

Ute Wassermann adds a unique expressiveness to this Berlin studio session, bringing her impressive talents as a free improvising vocalist along with her bird calls and objects, providing an unusual yet extremely complementary foil to the intertwined strings of the father/son collaboration of violist Ernesto Rodrigues and cellist Guilherme Rodrigues; idiosyncratically wonderful!

Part of the 2022 trio tour of violinist Ernesto Rodrigues, cellist Guilherme Rodrigues and saxophonist Nuno Torres is this studio recording in Berlin with free jazz legendary pianist Alexander von Schlippenbach and drummer/percussionist Willi Kellers, each of the 9 improvisations named for mythical beasts, appropriate to the fearsome force of these five masterful players.

Referencing the asian evergreen shrub "Hoya" through a series of solos, duos and quartets between Portuguese string players Maria da Rocha on violin, Ernesto Rodrigues on viola and Joao Madeira on double bass with visiting US bassist Daniel Levin on cello, first in four solo performances of remarkable technique, then permutations of duos, culminating in two quartet improvisations.

A highly interactive and textural set of chamber-oriented free improvisations with an often pointillistic approach from the quartet of Portuguese improvisers Ernesto Rodrigues on viola & crackle box, Bruno Parrinha on clarinet & alto saxophone, Joao Madeira on double bass with Swiss electric guitarist Florian Stoffner, in three detailed and engaging conversations.

Adding Chicago cellist Fred Lonberg-Holm to their string-oriented improvisation, the Portuguese collaborative quartet of Ernesto Rodrigues on viola and crackle box, João Madeira on double bass, Flak on electric guitar and percussionist Jose Oliveira perform an 8-part suite of entwined strings and subtle punctuation, a selfless blending of masterful skill.

Referencing Twittering Machine, a 1922 painting by Paul Klee that depicts a group of birds on a wire connected to a hand-crank, interpreted as as a visual representation of the mechanics of sound, the ea-improvising quartet of Ernesto Rodrigues (viola), Bruno Parrinha (bass clarinet), Flak (electric guitar) and Carlos Santos (modular synth) present three hi-tension improvisations.

Improvising over strings, winds & percussion from the Portuguese quintet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Joao Madeira on double bass, Bruno Parrinha on flute & bass clarinet and Monsieur Trinite on percussion, in a studio session of active, often pointillistic interaction offset with periods of introspection, reflecting concepts of Baudelaire & The Surrealists.

The seventh album from Creative Sources' detailed electroacoustic improvising group Suspensão led by violist Ernesto Rodrigues, recording at SMUP in Parede, Portugal in 2022 with Joana Sa on soprano sax, Nuno Torres on alto sax, Luisa Goncalves on piano, Joao Madeira on double bass, Carlos Santos on synthesizer and Jose Oliveira on percussion.

The trio of violist Ernesto Rodrigues, cellist Guilherme Rodrigues and clarinetist Bruno Parrinha on alto & bass clarinets are captured live at Lisboa Incomum, during the 2022 Festival DME, performing two sophisticated chamber improv works, their titles translating to "The aging skies - it's all illusion" and "Pass The Bridges If It's Windy - The Flame Of The Solemnity".

The cosmological concept of the aeon, the conflict between matter and spirit, is explored in eight "Chronicles" of collective free improvisation using impressive technique and concentrative interaction from the Portuguese quartet of Flak on acoustic guitar, Guilherme Rodrigues on cello, Bruno Parrinha on bass clarinet and Ernesto Rodrigues on violin.

Spanning three generations of improvisers, the duo of violist Ernesto Rodrigues and cellist Guilherme Rodrigues join with tenor saxophonist Gonçalo Mortágua and legendary percussionist Gunter Baby Sommer to record eleven diverse improvisations in the studio in Berlin, naming the quartet "Not Bad", an extreme understatement for their unique chamber influences of European Free Jazz.

Citing references including Sun Ra, electric Miles, Ornette, Wadada Leo Smith, Stockhausen & Gabriel Prokofiev, guitarist Luis Lopes's Abyss Mirrors brings together artists drawing on European & Brazilian performers from Clean Feed, Shhpuma and Creative Sources for these evolving and often ecstatic collective, experimental improvisations; unpredictably edgy and exciting!

Four unique compositions from Portuguese trumpeter Sei Miguel, whose work embraces jazz history while incorporating his own music systems, here each piece varying the size of each grouping with one constant, his frequent sideman, alto trombonist Fala Mariam; plus luminaries including Rodrigo Amado, Ernesto Rodridgues, Helena Espvall, Nuno Torres, Rafel Toral, Paulo Curado, &c.

Referring to the city Brecht in Belgium, this concert at the Kapel Oude Klooster took place during a tour by the Lisbon free improvising trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on alto saxophone, joined by Dirk Serries on archtop guitar (New Wave of Jazz, Vidna Obama) for this impressively interactive 3-part improvisation.

The third Spiegel, or mirror, takes the Portuguese acoustic octet led by violist Ernesto Rodrigue through an extended improvisation and its reflection, captured live at the 2021 CSFest XV, at O'Culto da Ajuda, by performing and recording their performance in a first pass, and then playing over the first improvisation, layering and extending their work.

Far from the reductionist/minimal improvisation often associated with the Creative Sources label and the work of both violist Ernesto Rodrigues and cellist Guilherme Rodrigues, this quartet session with double bassist Joao Madeira and Jose Oliveira is a highly charged and energetic affair, improvising through a suite of eight tightly controlled conversations of "Chaos".

An immersive album of understated but incredibly detailed free improvisation from the quartet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Emidio Buchinho on electric guitar and Carla Santana on electronics, performing live at Escola Superior de Teatro e Cinema, in Amadora, Portugal for a four part concentration on silence through sound.

Continuing their exploration of isotopes, here focusing on the unstable element Uranium, the Portuguese Isotope Ensemble led by violist Ernesto Rodrigues presents two stunningly detailed concert performances from the 2021 CSFest XV at O'Culto da Ajuda in Lisbon, with some of Europe's leading improvisers taking on U92 in both "Electroacoustic" and "Acoustic" properties.

Performing live at SMUP, in Parede, Portugal in 2022, the bass-oriented chamber quintet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Joao Madeira on double bass, Hernani Faustino on double bass and Jose Oliveira on percussion balance jazz and contemporary compositional approaches to their sophisticated and extremely detailed improvisations.

The sixth release by Creative Sources' detailed electroacoustic improvising group Suspensão led by violist Ernesto Rodrigues, with Guilherme Rodrigues on cello, Nuno Torres on alto sax, Antonio Chaparreiro on electric guitar, Carlos Santos on computer and Jose Oliveira on percussion & inside piano, is this impressive performance at "Temporada Miso Music 2009" in Lisbon.

An 8-part studio improvisation in Lisbon, 2022 from Portuguese musicians Ernesto Rodrigues on viola, Bruno Parrinha on flute & bass clarinet and Joao Madeira on double bass in a quartet with French tenor saxophonist Michel Stawicki, sometimes introspective and moody through highly detailed playing but building to periods of tumultuous and exciting activity.

The 8-piece String Theory ensemble directed by violist Ernesto Rodrigues in a live performance at O'Culto da Ajuda in Lisbon of a beautiful and subtle work inspired by a poem written by Rodrigues, ".. dans cette immensite ", realized through viola, violin, cellos, viola de gamba, double bass, piano, zither and objects, a deceptively tranquil work of detail and dexterous execution.

An unusual trio configuration for violist Ernesto Rodrigues, joined by Bruno Parrinha on soprano & alto saxophones, and by electric guitarist Flak, who brings an experimental almost ea- approach to their 3-part improvisation, aptly named for it's deceptively calm setting, gradually becoming intricate and active through colored motion like a curious breeze that builds and recedes.

A four-part suite from the Creative Sources string core of violist Ernesto Rodrigues and cellist Guilherme Rodrigue, recording in Berlin in 2021 with free jazz trombonist Matthias Muller and trumpeter Brad Henkel, through each movement approaching their playing through a balance of nonidiomatic and free jazz, subtly understated and meticulously intricate.

A chamber jazz quintet orchestrated for three strings, saxophone and percussion from Ernesto Rodrigues on viola, Jose Lencastre on alto saxophone, Miguel Mira on cello, Hernani Faustino on double bass and Joao Lencastre on drums, technically advanced collective playing that simmers with an underlying jazz fire unique to many of Rodrigues' groupings.

Approaching the string trio of viola, cello and double bass through improvisation and exceptionally extended techniques, the Portuguese trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Joao Madeira on double bass "scratch, stretch and strop timbers" as they express a unique universe of string interaction from raucous to reflective.

This string and reed quintet presents a fluid approach to chamber-oriented improv with dexterous melodic and harmonic motion, utilizing contemporary and jazz idioms as they create something masterfully unique; from Anna Kaluza on alto sax, Edith Steyer on alto sax & clarinet, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Ulf Mengersen on double bass.